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  • Politics in Music and Song Abstracts

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  • Politics in Music and Song Abstracts

Politics in Music and Song Abstracts

This page contains a full list of abstracts for the Politics in Music and Song conference.

Please click on the abstract title for further information.

Lucia

Agaibi

Centre for Gender Studies University of Music and Performing Arts, Graz

"Sisters, the poor and friendless need you" Ethel Smyth's Songs of Sunrise

Uri

Agnon

University of Southampton

Finding the words: Found Text in Political Songs (examples from Israel Iran)

Ricardo

Andrade

Nova University of Lisbon

It all depends on the bullet and the aim - José Mário Branco’s recording activity in exile and the song as an «efficient weapon» (Portugal)

Conor

Caldwell

 

The Races of Ballyhooley: Irish-Language Protest Song of the Nineteenth Century

Hugo

Castro

Instituto de Etnomusicologia - Centro de Estudos em Música e Dança, NOVA University of Lisbon

You already know my goal: to liberate Portugal - Musical practices and political activities of Portuguese protest singers in exile

Oskar
John

Cox Jensen
Street

Newcastle University
University of East Anglia

Our Subversive Voice: Protest songs as history, protest songs as politics

Aylin

Demir

Middle East Technical University, Ankara

Live Music Events and Politics in Turkey (Dersim)

Manuel

Deniz Silva

Universidade Nova de Lisboa

Translating the revolution: the international circulation of Fernando Lopes-Graça’s Heroic songs (Portugal)

Stan

Erraught

School of Music, University of Leeds

1972: The Year in Song. (Northern Ireland)

Franco

Fabbri

 

Stormy Six or Rock in Opposition

Daniella

Fazio Vargas

University of Manchester

Reshaping the aesthetics: exploring the political role of music (Chilean theme)

Ekaterina

Ganskaya

University of Turin

Anti-war and Protest Songs in the times of Military Censorship in Russia After the 24th Of February

Paroma

Ghose

Graduate Institute, Geneva

A Political Sound. France, South Korea, and the Politics of Nation and Representation in Contemporary Popular Music

Elise

Girard-Despraulex

Université Laval - Université de Lille

 Satanism in metal music, reflection on religion in Infestissunam (2013 - Ghost)

Jelena

Gligorijevic

Dublin City University

Cabin Porn – This is Brexit Britain? A Critical Cultural Analysis of Two Anti-Brexit Protest Songs

Ádám

Ignácz

Institute for Musicology, ELKH Research Centre for the Humanities

Hungarian Musicians at the Festival of Political Songs in East Berlin (in the 1970s and early 1980s)

Noriko

Manabe

Jacobs School of Music,
Indiana University

Intertextuality in Protest Music: Factors Impacting Production and Reception

Stephen

Millar

University of Amsterdam

Men Behind the Wire: Loyalist Prisoners and Songs of Resistance

Felix

Morgenstern

University of Music and Performing Arts Graz

Irish Rebel Songs in the GDR: Popular Culture and Anti-Imperialist Resistance

Carolin

Müller

The Hebrew University of Jerusalem

Protest music or music for protest? Post-migrant adaptations of global pop music in contemporary rights-based protest in Germany

Meredith

Nicoll

Hochschule für Musik und Theater (HfMT) Hamburg

The Bitterfelder Weg and the Path to Political Song in the GDR

Fiorenzo

Palermo

Middlesex University, London

The Eternal-Fascist Protest of Zetazeroalfa (Italy)

Ian

Peddie

 

Music, Rights, and Hope

Rebecca

Pericleous

King's College London

“Press Play for Justice”: The Black Protest Song Canon in the Era of BLM

Thorsten

Philipp

Al-brecht-Ludwig-Universität Freiburg and Leuphana Universität Lüneburg

Don’t Give Up The Fight: HipHop as a Means of Sustainability Communication and Environmental Protest

Gordon

Ramsey

Queen's University Belfast

“THAT’S A LOYALIST TUNE!” THE ENACTION OF IDENTITY IN INSTRUMENTAL MUSIC IN NORTHERN IRELAND

Janne

Rantala

University College Cork

Peace and Contemporary war in Mozambican RAP Performance

David

Robb

Queen's University Belfast

Gundermann: From Socialist Realist Hero to Eco-Warrior 

Lucy

Robinson

 

"If girls like it, it must be shit - Re-remembering Bananarama"

Emmanuel

Siaw

 

Protesting corruption: Assessing protest songs in the fight against corruption in Ghana

Angelina

Sotirou

Independent Researcher

Mikis Theodorakis

Matthew

Tran-Adams

York University, Toronto

“Low-life scum” vs. “the embodiment of the modern Irish language?”: Kneecap’s Use of the Irish Language to Disrupt Oppression

Chanda

VanderHart

Universität für Musik und darstellende Kunst Wien

Gender Violence; Gendered Interventions

Anna

Williams

York University, Toronto

“If I Have a Son” and Other Songs of the Movement for Black Lives (definitions)

Stephen

Wilson

Faculdade de Letras da Universidade de Coimbra

“And though the line is cut It ain’t quite the end”: Eschatological Fictions in the Protest Songs of Bob Dylan

Yalda

Yazdani

University of Siegen, Germany

The Politics of Musical Participation: An Ethnographic Study of Women Singers in Post-Revolutionary Iran

Programme
  • Programme
  • Politics in Music and Song Abstracts
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